Music

Recordings, scores, writings, and analyses.

Jake's music expertise focuses and expands upon both the Contemporary Classical/New Music and Jazz traditions. Whether composing or performing, Jake believes that the most profound music utilizes both the predetermined and the spontaneous. Jake finds that music that is thoughtfully and meticulously composed and also promotes individual improvisation is not only enjoyable to listen to, but is how to push contemporary music forward. His work attempts to fuse the complex compositional systems employed by classical New Music composers and the expressionistic method of improvisation employed by the Jazz tradition.

Primary New Music influences include Alexander Scriabin, Béla Bartók, Kaikhosru Sorabji, the Second Viennese School (Arnold Schoenberg, Anton Webern), early 20th century American Ultramodernists (Ruth Crawford, Henry Cowell), and New Complexity composers (Michael Finnissy). Primary jazz influences include George Gershwin, John Coltrane, Eric Dolphy, Billy Strayhorn, Keith Jarrett, Herbie Hancock, and Wayne Shorter.

Recorded Works

EXQUISITE CADAVER

PHUC

Jake D’Ambra - Tenor Saxophone
JP Heston - Bass
Caleb Cronan - Drums

August 2021 (Streaming, Limited Edition

Lathe Cut Records)

Hug the Devil

Charles Colizza Group

Charles Colizza - Guitar
Billy Drewes - Soprano Saxophone
Jake D’Ambra - Tenor Saxophone
Nick Panoutsos - Double Bass
Lukas Akintaya - Drums

December 21, 2020 (Streaming)

This Entity Makes Music

NR4

Nick Rousseau - Guitar
Jake D’Ambra - Tenor Saxophone
Sean Hannon - Double Bass
Tima Volozh - Drums

September 30, 2022 (Streaming)

scallions

PHUC

Jake D’Ambra - Tenor Saxophone
JP Heston - Double Bass
Caleb Cronan - Drums

December 24, 2022 (Streaming)

Toy Conscious

Toy Conscious

Jake D’Ambra - Saxophone
Nick Rousseau - Guitar
Sean Hannon - Double Bass
Caleb Cronan - Drums

October 20, 2023 (Streaming)

Barberia’s Delight

Anthony Wonsey - Piano
Jake D’Ambra - Tenor Saxophone
Nick Rousseau - Guitar
Marshal Herridge - Double Bass
Tima Volozh - Drums

October 27, 2023 (Streaming)

Original Works

Original compositions written for solo piano and/or improvisational ensemble.

12.21.2018 - Flatline

8.21.2020 - Plinko

5.14.2021 - Redbill

5.15.2021 - Spooner

10.18.2021 - Insider Trading

11.8.2021 - Bar Crawl (Car Brawl)

8.16.2020 - Two Parti

12.16.2021 - To Step

5.11.2021 - Mr. Meisels

2.4.2022 - Pitch Hike

2.16.2022 - Sweet Hands

3.25.2022 - Van Guardian

5.9.2022 - Early Mourning

6.13.2022 - Buttoned Up

7.31.2022 - Penny Waltz

1.18.2023 - CP2023 #5, The 15th Terrace in Bb major

12.31.2022 - CP2022 #2, Fanta Sea in Eb Major

1.11.2023 - CP2023 #4, In Perpetuity

1.4.2023 - CP2023 #3, Spandrel Viventium in F# minor

1.21.2023 - CP2023 #6, Where Nine Lives in Ab major

2.7.2023 - CP2023 #7, Distant Relative in D minor

4.2.2023 - CP2023 #8

5.25.2023 - CP2023 #9

10.17.23 - Untitled Original

Original Arrangements of Existing Music

D’Ambra - Star-Crossed Lovers (2022, work in progress)

Part of a series of original piano arrangements inspired by select compositions by the great Billy Strayhorn. This project focuses on highlighting the genius of Strayhorn’s compositions while reinterpreting the material in the contemporary classical style. This project is similar to the Gershwin Arrangements by Michael Finnissy, in which Finnissy rearranges select jazz standards by George Gershwin through a contemporary classical lens.

Work in Progress

D’Ambra - Stella by Starlight (2022)

An original piano arrangement inspired by Victor Young’s timeless jazz standard Stella by Starlight.

9/15/22

D’Ambra - I’m in the Mood for Love (2022, work in progress)

An original piano arrangement inspired by Jimmy McHugh’s jazz standard I’m in the Mood for Love.

Work in Progress

Repurposing of Contemporary Classical Works for Improvised Ensemble

A current selection of late 19th century onward classical pieces that have been converted into lead sheets for improvisational ensemble. The melody/bass counterpoint and inferred harmony for improvisation serve as a reduction or repurposing of the original material to be played similarly to how jazz ensembles approach jazz standards. These works are part of an ongoing project to create a “Real-Book” of over 100 classical to improvisation works.

8.13.23 - George Gershwin’s Waiting for the Sun to Come Out

5.14.22 - Gareth Hughes’ Romantic Evening

4.5.22 - Riccardo Malipiero’s Invenzioni IV

12.4.21 - Ruth Crawford’s 3. Semplice

3.12.22 - Anton Webern’s Klavierstück

2.23.22 - Anton Webern’s Satz fur Klavier

2.16.22 - Béla Bartók’s Op. 14, Scherzo

2.11.22 - Alexander Scriabin’s Sauvage, Belliqueux

2.5.22 - Alexander Scriabin’s Caresse Dansée

12.2.21 - Ruth Crawford’s Kaleidoscopic Changes

12.11.21 - Béla Bartók’s Bulgarian Rhythm II

12.2.21 - Ruth Crawford’s Kaleidoscopic Changes

Analyses and Writings

Collection of analyses of primarily contemporary classical works that analyze form, harmony, motives, and commentary.

9.15.20 - Analysis of Arnold Schoenberg’s Vergangenes (Times Past), from Five Orchestral Pieces, Op. 16 (1909)

10.6.20 - Analysis of Ruth Crawford’s Music for Small Orchestra, Movement 1 (1926)

10.13.20 - Analysis of Igor Stravinsky’s Concerto in E flat, (‘Dumbarton Oaks’) Movement 1 (1938)

10.20.20 - Analysis of Anton Webern’s Variations for Piano, Op. 27, Movement 1 (1937)

11.12.20 - Analysis of Toru Takemitsu’s The Dorian Horizon (1967)

12.1.20 - Analysis of Jonathan Harvey’s Mortuos Plango Vivos Voco (1980)

12.8.20 - Analysis of Pierre Boulez’s Memoriale (…explosante-fixe…Originel) (1985)

12.21.20 Analysis of Amok Amor’s The New Portal (2017)

1.27.20 - New York University Master’s Thesis: Charles Lloyd, A Memphis Born Saxophonist; Penetrating Other Music Genres to Further the Jazz Medium

5.15.22 - Analysis of W.A. Mozart’s K.457, Movement 1 (1784)

Videos:

Painter’s United at Nublu - Kids Love Clowns

Live performance at Nublu in Lower East Side NYC.

Joe Melnicove - Flute, Jake D'Ambra - Tenor Saxophone, Vinicius Cajado - Bass, Caleb Cronan - Drums

11/2/19

Body and Soul - Jake D'Ambra

Live at Wally's Jazz Cafe. Interpretation of Coltrane's form of Body and Soul.

Jake D'Ambra - Tenor Saxophone, Dan Pappas - Keyboard, JP Heston - Double Bass, Nick Groat - Drums

2/24/19

Exploring Jazz Music in Boston with Jake D'Ambra

“The latest installment of our ongoing ‘My Own Boston’ series features business student and jazz musician Jake D’Ambra (Questrom’19). Wait—business and jazz? Together? D’Ambra explains as he takes us on a tour of his favorite jazz clubs in Boston, Darryl’s Corner Bar & Kitchen and Wally’s Café, with a pit stop at West Campus record store In Your Ear.”

3/22/2018

Live at Scorpion Records

:Live perforance at Scorpion Records in Ridgewood, Queens. Performing different standards in a chordless trio setting.

Jake D’Ambra - Tenor Saxophone, Marshall Herridge - Bass, Caleb Cronan - Drums

3/28/22

Finnissy’s They Are Writing Songs of Love but Not for Me

Excerpt of Michael Finnissy’s They Are Writing Songs of Love but Not for Me piano arrangement, part of a series of arrangements that reimagine the works of George Gershwin.

Jake D’Ambra - Piano

7/19/22

George Gershwin’s Do it Again

Jake D’Ambra - Piano

9/19/23

Alexander Scriabin’s Caresse Dansee

Jake D’Ambra - Piano

7/9/23

Erik Satie’s First Gymnopedie

Jake D’Ambra - Piano

1/23/23